Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo

The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades f...

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Main Authors: Ke Šue, Fung Jing Lu, Fung Šiat Lu, Šaohang Vang
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2021-07-01
Series:Muzikološki Zbornik
Subjects:
Online Access:https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488
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spelling doaj-35f99295ebe74ee7b78e191ab3ab28d32021-07-07T13:01:24ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422021-07-0157110.4312/mz.57.1.149-175Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano SoloKe Šue0Fung Jing Lu1Fung Šiat Lu2Šaohang Vang3Beibu Gulf University, College of Humanities, Qinzhou, ChinaUniversity of Malaya, Faculty of Creative Arts, Kuala Lumpur, MalaysiaUniversity Putra Malaysia, Seri Kembangan, MalaysiaBeibu Gulf University, Qinzhou, China The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death. https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488Zhao XiaoshengCultural RevolutionChinanew wave composerpiano solo worksCommunism
collection DOAJ
language deu
format Article
sources DOAJ
author Ke Šue
Fung Jing Lu
Fung Šiat Lu
Šaohang Vang
spellingShingle Ke Šue
Fung Jing Lu
Fung Šiat Lu
Šaohang Vang
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
Muzikološki Zbornik
Zhao Xiaosheng
Cultural Revolution
China
new wave composer
piano solo works
Communism
author_facet Ke Šue
Fung Jing Lu
Fung Šiat Lu
Šaohang Vang
author_sort Ke Šue
title Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
title_short Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
title_full Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
title_fullStr Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
title_full_unstemmed Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
title_sort cultural revolution and political ambivalence in zhao xiaosheng’s two ballades for piano solo
publisher Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
series Muzikološki Zbornik
issn 0580-373X
2350-4242
publishDate 2021-07-01
description The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death.
topic Zhao Xiaosheng
Cultural Revolution
China
new wave composer
piano solo works
Communism
url https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488
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AT fungsiatlu culturalrevolutionandpoliticalambivalenceinzhaoxiaoshengstwoballadesforpianosolo
AT saohangvang culturalrevolutionandpoliticalambivalenceinzhaoxiaoshengstwoballadesforpianosolo
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