Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades f...
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Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)
2021-07-01
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Series: | Muzikološki Zbornik |
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Online Access: | https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488 |
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doaj-35f99295ebe74ee7b78e191ab3ab28d32021-07-07T13:01:24ZdeuZnanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts)Muzikološki Zbornik0580-373X2350-42422021-07-0157110.4312/mz.57.1.149-175Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano SoloKe Šue0Fung Jing Lu1Fung Šiat Lu2Šaohang Vang3Beibu Gulf University, College of Humanities, Qinzhou, ChinaUniversity of Malaya, Faculty of Creative Arts, Kuala Lumpur, MalaysiaUniversity Putra Malaysia, Seri Kembangan, MalaysiaBeibu Gulf University, Qinzhou, China The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death. https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488Zhao XiaoshengCultural RevolutionChinanew wave composerpiano solo worksCommunism |
collection |
DOAJ |
language |
deu |
format |
Article |
sources |
DOAJ |
author |
Ke Šue Fung Jing Lu Fung Šiat Lu Šaohang Vang |
spellingShingle |
Ke Šue Fung Jing Lu Fung Šiat Lu Šaohang Vang Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo Muzikološki Zbornik Zhao Xiaosheng Cultural Revolution China new wave composer piano solo works Communism |
author_facet |
Ke Šue Fung Jing Lu Fung Šiat Lu Šaohang Vang |
author_sort |
Ke Šue |
title |
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
title_short |
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
title_full |
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
title_fullStr |
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
title_full_unstemmed |
Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo |
title_sort |
cultural revolution and political ambivalence in zhao xiaosheng’s two ballades for piano solo |
publisher |
Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) |
series |
Muzikološki Zbornik |
issn |
0580-373X 2350-4242 |
publishDate |
2021-07-01 |
description |
The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades for solo piano composed after his father’s death.
|
topic |
Zhao Xiaosheng Cultural Revolution China new wave composer piano solo works Communism |
url |
https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488 |
work_keys_str_mv |
AT kesue culturalrevolutionandpoliticalambivalenceinzhaoxiaoshengstwoballadesforpianosolo AT fungjinglu culturalrevolutionandpoliticalambivalenceinzhaoxiaoshengstwoballadesforpianosolo AT fungsiatlu culturalrevolutionandpoliticalambivalenceinzhaoxiaoshengstwoballadesforpianosolo AT saohangvang culturalrevolutionandpoliticalambivalenceinzhaoxiaoshengstwoballadesforpianosolo |
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1721315616903659520 |