Cultural Revolution and Political Ambivalence in Zhao Xiaosheng’s Two Ballades for Piano Solo

The ascendancy of China’s Cultural Revolution led to a purge of the rightists, including musicians. This article unveils composer Zhao Xiaosheng’s emotional entanglement of fear and suppressed hostility toward the revolution, reflected in the political and artistic ambivalence in his two ballades f...

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Bibliographic Details
Main Authors: Ke Šue, Fung Jing Lu, Fung Šiat Lu, Šaohang Vang
Format: Article
Language:deu
Published: Znanstvena založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Faculty of Arts) 2021-07-01
Series:Muzikološki Zbornik
Subjects:
Online Access:https://revije.ff.uni-lj.si/MuzikoloskiZbornik/article/view/9488