Una y tres aproximaciones teóricas a la serie David de Miguel Ángel Rojas
This paper studies the photographic series David by Miguel Ángel Rojas from the perspective of “The Uncanny” proposed by Sigmund Freud. Departing from a historical revision of the process of creation of the piece, I propose three theoretical approximations to the series: as an icon related to the ma...
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Format: | Article |
Language: | English |
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Universidad de Los Andes
2018-01-01
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Series: | Hart |
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Online Access: | https://revistas.uniandes.edu.co/doi/full/10.25025/hart02.2018.06 |