Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding

With the growing professionalisation of electronic sports (or e-sports), the individuals who compete are, like their more ‘traditional’ sport counterparts, becoming celebrities. Actual competition is a fraction of the labour a professional gamer undertakes to earn a living and generate a self-brand...

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Bibliographic Details
Main Author: Andrew Zolides
Format: Article
Language:English
Published: Deakin University 2015-10-01
Series:Persona Studies
Subjects:
Online Access:https://ojs.deakin.edu.au/index.php/ps/article/view/467
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spelling doaj-3146da576e0c4b848f8c699ea06d43822020-11-25T02:33:11ZengDeakin UniversityPersona Studies2205-52582015-10-0112425310.21153/ps2015vol1no2art467465Lipstick Bullets: Labour & Gender in Professional Gamer Self-BrandingAndrew Zolides0University of Wisconsin-MadisonWith the growing professionalisation of electronic sports (or e-sports), the individuals who compete are, like their more ‘traditional’ sport counterparts, becoming celebrities. Actual competition is a fraction of the labour a professional gamer undertakes to earn a living and generate a self-brand – involving a complex arrangement of sponsorships, team-memberships, and digital reputation management. Indeed, taking part in e-sports can be understood as another mode of celebrity-creation within a particular fan community. A key vector to the persona formation of professional gamers is gender. Female professional gamers must navigate additional hurdles than their male counterparts in the creation and management of their self-brand and attempts to commoditise their personas. Female gamers carefully negotiate and perform their gender while maintaining their status as a competitor and influencer in gaming’s highly masculinised culture. This performativity places these young women in a precarious position not just in terms of economic stability, but also in terms of their gendered identity. This paper compares the online personas of professional gamers Matt “NaDeSHoT” Haag and Kelly “MrsViolence” Kelley, analysing their social media presences and mainstream media appearances. Reframing the labour of professional gamers as one of building a commodifiable work persona can help us better understand the economically precarious position in which young female gamers find themselves.https://ojs.deakin.edu.au/index.php/ps/article/view/467branding, e-sports, video games, labour, professional gaming, social media, gender, persona
collection DOAJ
language English
format Article
sources DOAJ
author Andrew Zolides
spellingShingle Andrew Zolides
Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding
Persona Studies
branding, e-sports, video games, labour, professional gaming, social media, gender, persona
author_facet Andrew Zolides
author_sort Andrew Zolides
title Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding
title_short Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding
title_full Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding
title_fullStr Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding
title_full_unstemmed Lipstick Bullets: Labour & Gender in Professional Gamer Self-Branding
title_sort lipstick bullets: labour & gender in professional gamer self-branding
publisher Deakin University
series Persona Studies
issn 2205-5258
publishDate 2015-10-01
description With the growing professionalisation of electronic sports (or e-sports), the individuals who compete are, like their more ‘traditional’ sport counterparts, becoming celebrities. Actual competition is a fraction of the labour a professional gamer undertakes to earn a living and generate a self-brand – involving a complex arrangement of sponsorships, team-memberships, and digital reputation management. Indeed, taking part in e-sports can be understood as another mode of celebrity-creation within a particular fan community. A key vector to the persona formation of professional gamers is gender. Female professional gamers must navigate additional hurdles than their male counterparts in the creation and management of their self-brand and attempts to commoditise their personas. Female gamers carefully negotiate and perform their gender while maintaining their status as a competitor and influencer in gaming’s highly masculinised culture. This performativity places these young women in a precarious position not just in terms of economic stability, but also in terms of their gendered identity. This paper compares the online personas of professional gamers Matt “NaDeSHoT” Haag and Kelly “MrsViolence” Kelley, analysing their social media presences and mainstream media appearances. Reframing the labour of professional gamers as one of building a commodifiable work persona can help us better understand the economically precarious position in which young female gamers find themselves.
topic branding, e-sports, video games, labour, professional gaming, social media, gender, persona
url https://ojs.deakin.edu.au/index.php/ps/article/view/467
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