Memories of a buried past, indications of a disregarded present: Interstices between past and present in Henri-François Imbert’s No pasarán, album souvenir
This article focuses on the interstices between past and present in Henri–François Imbert’s essay film No pasarán, album souvenir (2003). It examines Imbert’s strategies to reveal the largely unknown past of the Retirada, where nearly half a million Spanish Republicans fled to France after the victo...
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| Format: | Article |
| Language: | English |
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University College Cork
2013-08-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue5/HTML/ArticleSchweigl.html |