Performing <i>with</i> the Masquerade: Towards a Corporeal Reconstitution of Sophie Taeuber’s Dada Performances
This contribution aims for a “corporeal reconstitution” (Irigaray) of Sophie Taeuber’s (1889-1943) dance performances at the Cabaret Voltaire and the Galerie Dada in 1916/17. This means that the movements from the static images informing the history of Dada art need to be re-imagined. It implies a r...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Performance Philosophy
2019-02-01
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| Series: | Performance Philosophy |
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| Online Access: | http://www.performancephilosophy.org/journal/article/view/228 |