Les quatre éléments dans « Karain » de Joseph Conrad : du mythe au manque
The East and West dichotomy in “Karain” is in keeping with the romantic topos and underlined by the motif of the four elements. The vision of the sea, the sky and the island builds up an orientalist painting full of colours and light, and turns the Malay Archipelago into a mythic space to be opposed...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2010-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | http://journals.openedition.org/cve/2830 |