Comparison of three 3D scanning techniques for paintings, as applied to Vermeer’s ‘Girl with a Pearl Earring’
Abstract A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers on a substrate. A viewer’s perception of a work of art can be affected by changes in and damages to these layers. Crack formation in the multi-layered stratigraphy of the painting is visible...
Main Authors: | Willemijn S. Elkhuizen, Tom W. J. Callewaert, Emilien Leonhardt, Abbie Vandivere, Yu Song, Sylvia C. Pont, Jo M. P. Geraedts, Joris Dik |
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Format: | Article |
Language: | English |
Published: |
SpringerOpen
2019-11-01
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Series: | Heritage Science |
Subjects: | |
Online Access: | http://link.springer.com/article/10.1186/s40494-019-0331-5 |
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