Comparison of three 3D scanning techniques for paintings, as applied to Vermeer’s ‘Girl with a Pearl Earring’

Comparison of three 3D scanning techniques for paintings, as applied to Vermeer’s ‘Girl with a Pearl Earring’

Abstract A seventeenth-century canvas painting is usually comprised of varnish and (translucent) paint layers on a substrate. A viewer’s perception of a work of art can be affected by changes in and damages to these layers. Crack formation in the multi-layered stratigraphy of the painting is visible...

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Bibliographic Details
Main Authors: Willemijn S. Elkhuizen, Tom W. J. Callewaert, Emilien Leonhardt, Abbie Vandivere, Yu Song, Sylvia C. Pont, Jo M. P. Geraedts, Joris Dik
Format: Article
Language:English
Published: SpringerOpen 2019-11-01
Series:Heritage Science
Subjects:
Topography
3D scanning
Optical coherence tomography
3D digital microscopy
Painting
Cultural heritage
Online Access:http://link.springer.com/article/10.1186/s40494-019-0331-5

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http://link.springer.com/article/10.1186/s40494-019-0331-5

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