Editing in Leone's The Good, The Bad and The Ugly (1966) and Peckinpah's The Wild Bunch (1969)
In the first part of this paper I establish the centrality of editing to cinema as an art form, with specific reference to Rudolph Arnheim, Andre Bazin, Jean-Luc Godard, and Gilles Deleuze. I then examine the approaches to montage editing taken by Sergio Leone and Sam Peckinpah, in The Good, The Bad...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
University of Edinburgh
2014-01-01
|
| Series: | Forum |
| Online Access: | http://www.forumjournal.org/article/view/689 |