Pocahontas no more: Indigenous women standing up for each other in twenty-first century cinema
Sydney Freeland’s fiction feature Drunktown’s Finest (2014) represents the return of Indigenous women’s feature filmmaking after a hiatus caused by neoconservative politics post-9/11. In the two decades since Disney’s Pocahontas (1995), filmmakers such as Valerie Red-Horse have challenged erasure an...
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| Format: | Article |
| Language: | English |
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University College Cork
2015-12-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue10/HTML/ArticleMayer.html |