O atraso de Duchamp
From a synchronical perspective, Marcel Duchamp’s readymades, produced temporal deformations that nowadays, within its diachronic, are already codified. The determinant point of those deformations was a kind of “estheticism of perception” seen as a sceptical effect paradigm achieved from a parody of...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
1996-09-01
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| Series: | Significação: Revista de Cultura Audiovisual |
| Online Access: | http://www.revistas.usp.br/significacao/article/view/90514 |
| Summary: | From a synchronical perspective, Marcel Duchamp’s readymades, produced temporal deformations that nowadays, within its diachronic, are already codified. The determinant point of those deformations was a kind of “estheticism of perception” seen as a sceptical effect paradigm achieved from a parody of photography. |
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| ISSN: | 1516-4330 2316-7114 |