O atraso de Duchamp

From a synchronical perspective, Marcel Duchamp’s readymades, produced temporal deformations that nowadays, within its diachronic, are already codified. The determinant point of those deformations was a kind of “estheticism of perception” seen as a sceptical effect paradigm achieved from a parody of...

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Bibliographic Details
Main Author: Gelson Santana
Format: Article
Language:English
Published: Universidade de São Paulo 1996-09-01
Series:Significação: Revista de Cultura Audiovisual
Online Access:http://www.revistas.usp.br/significacao/article/view/90514