Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
The present article aims at discussing, first and briefly, the experimental features Samuel Beckett (1906-1989) imprinted in Waiting for Godot (1948-1949), among them the implosion of dramatic elements and the inscription of detailed performance instructions within the text itself, thus creating a p...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2020-05-01
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| Series: | Ilha do Desterro |
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| Online Access: | https://periodicos.ufsc.br/index.php/desterro/article/view/70373 |