What’s in a song: the case of Christopher Nolan’s Inception
Overblown cinematography and excess of visual attraction are the key features in Christopher Nolan’s Inception (UK/USA, 2010), a film that eventually exhausts itself in its numerous tours de force. Yet, Inception’s multi-levelled phantasmagoria cannot escape to the mere materiality of the objects th...
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| Format: | Article |
| Language: | English |
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Royal Danish Library
2013-12-01
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| Series: | SoundEffects |
| Online Access: | https://www.soundeffects.dk/article/view/15639 |