L’intermède de Marcel Broodthaers : pour une critique de l’hybride
Some artists on the contemporary scene have learned to code their perceptions and values in terms of hybridity. However, this concept is also pointing at more « normative » ways of perceiving affixed to new media and screens. In front of this hybridity, the most known genres in film and literature d...
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| Format: | Article |
| Language: | English |
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Université du Sud Toulon-Var
2016-01-01
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| Series: | Babel : Littératures Plurielles |
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| Online Access: | http://journals.openedition.org/babel/4513 |