Why does Farmer Boldwood keep so many time-pieces on the mantel-shelf of his dining-room in J. Schlesinger’s film adaptation of T. Hardy’s Far from the Madding Crowd?
The main purpose of this article is to try and overcome the time-worn polarity fidelity/betrayal by which the issue of film adaptation is often plagued. We would like to call viewer-response criticism the taking into account of the spectator's cultural, artistic and hermeneutic horizon of expec...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université du Sud Toulon-Var
2012-02-01
|
| Series: | Babel : Littératures Plurielles |
| Subjects: | |
| Online Access: | http://journals.openedition.org/babel/148 |