Screens, mediations and authenticity in the popular music concert: two case studies
The article investigates the implications of the use of video projections in the popular music concert with two case studies: that of Kraftwerk, who develop a “double” aiming to de-humanize the performance, in line with the celebration of the machine and the android, crucial in their aesthetics; and...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Cagliari
2019-02-01
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| Series: | Between |
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| Online Access: | http://ojs.unica.it/index.php/between/article/view/3342 |