The Theatricality of the <i>Punctum</i>: Re-Viewing <i>Camera Lucida</i>

I first encountered Roland Barthes’s Camera Lucida (1980) in 2012 when I was developing a performance on falling and photography. Since then I have re-encountered Barthes’s book annually as part of my practice-as-research PhD project on the relationships between performance and photography. This res...

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Bibliographic Details
Main Author: Harry Robert Wilson
Format: Article
Language:English
Published: Performance Philosophy 2017-06-01
Series:Performance Philosophy
Subjects:
Online Access:https://www.performancephilosophy.org/journal/article/view/126