Constructing Modernity and Progress: The Imperializing Lens of an American Engineer in the Early Twentieth Century
Recent visual theory on the decolonization of the photographic frame offers an important alternative to thinking of photographs as artifacts of the past. Here, the authors build on Ariella Azoulay’s idea of ‘watching’ photographs—as opposed to ‘looking’—to restore and reinscribe links to the past in...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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Department of Foreign Languages and Literatures at the University of Verona
2018-06-01
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| Series: | Iperstoria |
| Subjects: | |
| Online Access: | https://iperstoria.it/article/view/263 |