Du « pas de mots » au « pas de sens » : espaces énonciatifs du corps dansant dans The Turning Point (Herbert Ross) et White Nights (Taylor Hackford)
Herbert Ross's The Turning Point (1977) and Taylor Hackford's White Nights (1985) both focus on the world of ballet and on its existential implications. Each of them belongs to a category of films in which dance sets the stage for a close investigation of human nature and interactions. Wha...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2016-02-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/7798 |