The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912–13
Wittgenstein’s experiments on rhythm, conducted in Charles Myers’s laboratory in Cambridge during the years 1912–13, are his earliest recorded engagement in thinking about music, not just appreciating it, and philosophizing by means of musical thinking. In this essay, I set these experiments within...
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| Format: | Article |
| Language: | English |
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Helsinki University Press
2020-04-01
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| Series: | Estetika |
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| Online Access: | https://estetikajournal.org/articles/27 |