Un álbum de retratos: Rubens Gerchman y la fotografía
“Camera” according to Damián Bayón, Rubens Gerchman has a particular interest in photography since 1964-65. The images he uses, converted in concise and at the same time precise drawings, result from popular press. Intending to discuss the identity issue, the painter appropriates portraits of missin...
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| Format: | Article |
| Language: | English |
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Centro Argentino de Investigadores de Arte
2014-06-01
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| Series: | Caiana: Revista de Historia del Arte y Cultura Visual |
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| Online Access: | http://caiana.caia.org.ar/template/caiana.php?pag=articles/article_2.php&obj=154&vol=4 |