Plan des formes, plan des forces
Between Negerplastik (1915) and Afrikanische Plastik (1921), there is a shift in Carl Einstein’s perspective. This author, who was one of the first thinkers on African art and its scope for the avant-gardes, avoids a disembedded aesthetic approach lacking reference to the practices and beliefs which...
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| Format: | Article |
| Language: | fra |
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Éditions de la Sorbonne
2017-12-01
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| Series: | Socio-anthropologie |
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| Online Access: | http://journals.openedition.org/socio-anthropologie/3190 |