Max Imdahl and His ‘Ikonik’ / Макс Имдаль и его «Иконика»

Max Imdahl is situated on the border between the theory and practice of visual arts. His life is an experience of combining academic art history with cutting-edge art criticism. His ‘ikonik’ was intended as a continuation and completion of the methodological development of art history from iconograp...

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Bibliographic Details
Main Author: Stepan Vaneyan / Степан Сережьевич Ванеян
Format: Article
Language:deu
Published: Yaroslav-the-Wise Novgorod State University 2021-06-01
Series:Визуальная теология
Subjects:
Online Access:https://visualtheology.ru/index.php/journal/article/view/56/34