When the Copywriter is the Protagonist. History and Intermediality in Pablo Larraín’s No (2012)
Through films such as Tony Manero (2008), Santiago 73, Post Mortem (2010), and No (2012), the productions of Chilean director Pablo Larraín have focused on the historical and political themes that marked the last decades in the life of his country: the putsch against Salvador Allende and Augusto Pin...
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| Format: | Article |
| Language: | English |
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Sciendo
2016-09-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2016-0007 |