‘I, the Implacable I’: l’opera di Joan Didion negli anni settanta
This essay attempts to read Joan Didion’s work in the 1970s (Play It As It Lays, A Book of Common Prayer and The White Album) as resulting from an increasingly sharp aesthetic awareness of the modes, limits and possibilities of literature as personal and political testimony. Claiming a sceptical att...
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| Format: | Article |
| Language: | deu |
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Università degli Studi di Milano
2012-12-01
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| Series: | Enthymema |
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| Online Access: | https://riviste.unimi.it/index.php/enthymema/article/view/2708 |