Farocki/Godard. Film as Theory

There is a tension between the requirements of theoretical abstraction and the capacities of the film medium, where everything that we see on screen is concrete: A train arriving at a station, a tree, bodies, faces. Since the complex theories of montage in Soviet cinema, however, there have continuo...

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Bibliographic Details
Format: eBook
Language:English
Published: Amsterdam University Press 2015
Series:Film Culture in Transition
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Online Access:Open Access: DOAB: description of the publication
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