The Phenomenon of Synesthesia in the European Musical Art of Romanticism

by Zaytseva Marina
Published 2016-11-01

Features of Johannes Brahms’s Musical Thought

by Zaytseva Marina
Published 2016-09-01

The experiments of composers of the Russian avant-garde epoch in the field of arts synthesis

by Zaytseva Marina
Published 2016-04-01

Ultrahromatizm as a Sound Meditation

by Zaytseva Marina
Published 2016-08-01

Back to the roots: features of ethnic instruments in Igor Matsiewski’s works

by Zaytseva Marina
Published 2016-05-01

Interpretation of the oratorio music "St. Matthew Passion" by the Metropolitan Hilarion (Alfeev) in Pavel Semenovich Lungin's film "The Conductor"

by Zaytseva Marina
Published 2016-07-01

Experiments in Area of Musical Sound in the Chamber and Instrumental Works by Rodion Shchedrin

by Zaytseva Marina
Published 2016-10-01

Artistic and Aesthetic Specifics of Using the Piano in the Acoustic Space of Joe Hisaishi Film Music

by Zaytseva Marina, Titova Tatiana
Published 2016-12-01

Symphonic Cantata «In the Temple of Golden Dreams» by Arthur Lourie for Mixed Chorus a cappella (1919): Innovation in the Field of Musical Language

by Zaytseva Marina, Chekmenev Aleksey
Published 2017-01-01