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Paula Nabais
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Paula Nabais
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Paula Nabais
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1
The book on how to make all the colour paints for illuminating books: unravelling a Portuguese Hebrew illuminators’ manual
by
Maria J. Melo
,
Rita Castro
,
Paula
Nabais
,
Tatiana Vitorino
Published 2018-07-01
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Article
2
Traditional Yellow Dyes Used in the 21st Century in Central Iran: The Knowledge of Master Dyers Revealed by HPLC-DAD and UHPLC-HRMS/MS
by
Samaneh Sharif
,
Paula
Nabais
,
Maria J. Melo
,
M. Conceição Oliveira
Published 2020-02-01
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Article
3
In-depth phenolic characterization of iron gall inks by deconstructing representative Iberian recipes
by
Natércia Teixeira
,
Paula
Nabais
,
Victor de Freitas
,
João A. Lopes
,
Maria J. Melo
Published 2021-04-01
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Article
4
Yellow Lake Pigments from Weld in Art: Investigating the Winsor & Newton 19th Century Archive
by
Maria Veneno
,
Paula
Nabais
,
Vanessa Otero
,
Adelaide Clemente
,
M. Conceição Oliveira
,
Maria João Melo
Published 2021-02-01
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Article
5
Silver paints in medieval manuscripts: a first molecular survey into their degradation
by
Rita Araújo
,
Paula
Nabais
,
Isabel Pombo Cardoso
,
Conceição Casanova
,
Ana Lemos
,
Maria J. Melo
Published 2018-03-01
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Article
6
Microspectrofluorimetry and chemometrics for the identification of medieval lake pigments
by
Paula
Nabais
,
Maria J. Melo
,
João A. Lopes
,
Tatiana Vitorino
,
Artur Neves
,
Rita Castro
Published 2018-03-01
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Article
7
Organic colorants based on lac dye and brazilwood as markers for a chronology and geography of medieval scriptoria: a chemometrics approach
by
Paula
Nabais
,
Maria J. Melo
,
João A. Lopes
,
Márcia Vieira
,
Rita Castro
,
Aldo Romani
Published 2021-03-01
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Article
8
New insights into iron-gall inks through the use of historically accurate reconstructions
by
Rafael Javier Díaz Hidalgo
,
Ricardo Córdoba
,
Paula
Nabais
,
Valéria Silva
,
Maria J. Melo
,
Fernando Pina
,
Natércia Teixeira
,
Victor Freitas
Published 2018-11-01
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Article
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