« Knocking on Mrs Grundy’s door with a bomb of dynamite » : peur(s) des femmes dans quelques New Woman novels des années 1893-1895

by Nathalie Saudo
Published 2008-12-01

‘Fine specimens of the race’ : Pourquoi se porte-t-on si bien dans Nouvelles de Nulle Part ?

by Nathalie Saudo
Published 2004-09-01

« Éprouver pour savoir » : l’observation participante d’Elizabeth L. Banks

by Nathalie Saudo-Welby
Published 2010-06-01

Queering Christopher Kirkland (1885): Eliza Lynn Linton’s “Autobiography-in-Drag”

by Nathalie SAUDO-WELBY
Published 2019-06-01

Bram Stoker, Dracula

by Nathalie Saudo-Welby
Published 2011-11-01

Jane Jordan and Andrew King, dir. Ouida and Victorian Popular Culture

by Nathalie Saudo-Welby
Published 2016-05-01

Michel Brunet, Fabienne Gaspari and Mary Pierse, eds., George Moore’s Paris and his Ongoing French Connections

by Nathalie Saudo-Welby
Published 2017-03-01

Emily Eells, dir., Wilde in Earnest

by Nathalie Saudo-Welby
Published 2015-10-01

Learning from Nature: Feminism, Allegory and Ostriches in Olive Schreiner’s The Story of an African Farm (1883)

by Nathalie Saudo-Welby
Published 2017-03-01

Visiting the Highest Heaven: Gender-Free Narration and Gender-Inclusive Reading in Olive Schreiner’s Dreams (1890)

by Nathalie Saudo-Welby
Published 2017-04-01

Talia Schaffer, Novel Craft : Victorian Domestic Handicraft and Nineteenth-Century Fiction

by Nathalie Saudo-Welby
Published 2013-04-01

“Having to Think in Inverted Commas”: Feminine Discourse and Foreign Words in Sarah Grand’s The Beth Book (1897)

by Nathalie Saudo-Welby
Published 2015-02-01