VLADIMIR AXIONOV — EMINENT SCIENTIST AND PROFESSOR

by MELNIC VICTORIA
Published 2015-03-01

THE THEORY OF FUGUE IN ANTONIN REICHA’S TRAITÉ DE HAUTE COMPOSITION MUSICALE

by MELNIC VICTORIA
Published 2015-09-01

THE SYSTEM OF MUSICAL FORMS IN A. REICHA’S TRAITÉ DE HAUTE COMPOSITION MUSICALE

by MELNIC VICTORIA
Published 2019-12-01

MUSICAL ANALYSIS: METHOD, PRACTICE, CONCEPT

by MELNIC, VICTORIA
Published 2021-06-01

THE SUITE IN FOLK STYLE FOR STRING QUARTET BY V. VERHOLA: THEMATIC AND COMPOSITIONAL PARTICULARITIES

by MELNIC, VICTORIA, COȘCIUG, SVETLANA
Published 2020-12-01

POLYPHONIC PROCEDURES AND TECHNIQUES IN THE SONATA FOR FLUTE AND PIANO BY SERAFIM BUZILĂ

by MELNIC, VICTORIA, PÎNZARU, NATALIA
Published 2020-12-01

FORM AND STYLEIN ELGAR’s SONATA FOR VIOLIN AND PIANO

by MELNIC VICTORIA, COȘCIUG SVETLANA
Published 2020-09-01

THE TREATMENT OF THE CYCLE AND SONATA FORM IN THE STRING QUARTET OP. 83 BY E. ELGAR

by Melnic Victoria, Coşciug Svetlana
Published 2018-12-01

OLD AND NEW IN GHEORGHE NEAGA’S VIOLIN AND PIANO SONATAS: COMPARATIVE REFERENCES

by MELNIC VICTORIA, CHICIUC NATALIA
Published 2015-06-01

SERAFIM BUZILĂ'S SONATA FOR VIOLIN AND PIANO: AN EXAMPLE OF COMPONISTIC INVENTIVITY AND A TRIBUTE TO THE GREAT GEORGE ENESCU

by MELNIC VICTORIA, PÎNZARU NATALIA
Published 2019-12-01

CAPRICCIO FOR TRUMPET AND PIANO BY BORIS DUBOSARSCHI — A SAMPLE OF NEOFOLKLORISM IN NATIVE COMPOSITION CREATION

by CÂRSTEA SERGIU, MELNIC VICTORIA
Published 2017-06-01

ANALYTICAL-INTERPRETATIVE VISIONS ON THE SONATA FOR FLUTE AND PIANO BY VLADIMIR CIOLAC

by MELNIC, VICTORIA, SERBINOV, MARIA
Published 2021-06-01