Painting with recycled materials: on the morphology of calcite pseudomorphs as evidence of the use of wood ash residues in Baroque paintings

by Federico Carò, Silvia A. Centeno, Dorothy Mahon
Published 2018-01-01

Discovering the evolution of Jacques-Louis David’s portrait of Antoine-Laurent and Marie-Anne Pierrette Paulze Lavoisier

by Silvia A. Centeno, Dorothy Mahon, Federico Carò, David Pullins
Published 2021-08-01

Johannes Vermeer’s Mistress and Maid: new discoveries cast light on changes to the composition and the discoloration of some paint passages

by Dorothy Mahon, Silvia A. Centeno, Margaret Iacono, Federico Carό, Heike Stege, Andrea Obermeier
Published 2020-03-01