Hollywood y la Guerra Civil española: análisis de sus tres únicas cintas de ficción coetáneas (1937-1938) = Hollywood and the Spanish Civil War: analysis of its only three fiction...

by Carmen Guiralt Gomar
Published 2017-12-01

Aportaciones historiográficas y estéticas a propósito de la co-autoría fílmica de The Last of the Mohicans (1920), de Maurice Tourneur y Clarence L. Brown

by Carmen Guiralt Gomar
Published 2015-07-01

El Two-Color Kodachrome y su inserción en The Llight in the Dark (Clarence Brown, 1922): primera y única exhibición pública del proceso experimental de color en un largometraje com...

by Carmen Guiralt Gomar
Published 2014-09-01

The Hays Office and the Two Updated Film Versions of Madeleine Smith’s Case: Letty Lynton (1932) and Dishonored Lady (1947)

by Carmen GUIRALT GOMAR
Published 2016-06-01

La chica del gobierno / The Girl from the Government

by Carmen Guiralt Gomar
Published 2016-08-01

Bloqueo / Blockade (William Dieterle, 1938)

by Carmen Guiralt Gomar
Published 2016-11-01

El último mohicano / The Last of the Mohicans

by Carmen Guiralt Gomar
Published 2016-08-01

Hollywood’s First Condemnation of Forced Labour in the American South: ‘Hell’s Highway’ (Rowland Brown, 1932)

by Carmen Guiralt Gomar
Published 2017-09-01

El humor es algo serio

by Carmen Guiralt Gomar
Published 2016-07-01

La carretera del infierno / Hell’s Highway

by Carmen Guiralt Gomar
Published 2016-03-01

Joan Crawford en Así ama la mujer (Sadie McKee) (V.O.S.). Una película de Clarence Brown / Joan Crawford in Así ama la mujer (Sadie McKee) (O.V.S.). A Film by Clarence Brown

by Carmen Guiralt Gomar
Published 2016-08-01

Missions and World Civilizations

by Lorna Arroyo y Miguel Márquez. Reseña de Carmen Guiralt Gomar
Published 2016-01-01