‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945...

by Arnold Witte
Published 2021-06-01

‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung...

by Arnold Witte
Published 2019-12-01

Wölfflin’s Grundbegriffe as a psychological palimpsest?

by Arnold Witte
Published 2015-12-01

Occupied Europe and German art historiography: methodology and morals

by Arnold Witte
Published 2017-06-01

‘”An appendix of manageable proportions”: Heinrich Wölfflin and Hans Rose between Baroque Studies and National-Socialism

by Arnold Witte
Published 2016-06-01

Formalism in the first half of the twentieth century: ‘pure science’ or a case of effective rhetoric? Mitchell B. Frank and Daniel Adler (eds), German Art History and Scientific Th...

by Arnold Witte
Published 2012-12-01

Van luxe architectuurtraktaat tot praktische handleiding: de Nederlandse uitgaven van Scamozzi's L'Idea della Architettura Universale

by Andrew Hopkins, Arnold Witte
Published 1997-10-01

Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328, translation by Arnold Witte and Andrew Hopkins

by Arnold Witte, Andrew Hopkins
Published 2016-06-01

SEGNALAZIONI - SIGNALEMENTEN - NOTES

by Sophie Levie, Paul Sambre, Violet Soen, Arnold Witte, Martijn van Beek, Bram de Klerck
Published 2014-12-01