Ephemeral bodies and threshold creatures: The crisis of the adolescent rite of passage in Sofia Coppola’s THE VIRGIN SUICIDES and Gus Van Sant’s ELEPHANT

by Anna Backman Rogers
Published 2012-01-01

The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette (2006)

by Anna Backman Rogers
Published 2012-10-01

The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette (2006)

by Anna Backman Rogers
Published 2012-10-01

The Historical Threshold : Crisis, Ritual and Liminality in Sofia Coppola’s Marie-Antoinette (2006)

by Anna Backman Rogers
Published 2012-10-01

Making nothing happen: The transition from reactive nihilism to affirmation in Jim Jarmusch’s Broken Flowers (2005)

by Anna Backman-Rogers
Published 2012-02-01

Feminist film studies ４０ years after ‘Visual Pleasure and Narrative Cinema’, a triologue

by Laura Mulvey, Anna Backman Rogers, Annie van den Oever
Published 2015-04-01