Nature in Context: A Situated Study of herman de vries’s Sanctuaries

by Arnon Ben-Dror
Published 2021-08-01

From Plasticity to Elasticity: Philippe Parreno’s Permanent Revolution

by Mónica Amor
Published 2021-08-01

The Pandemic Event: Notes from the Venice Film Festival 2020

by Marco Bertozzi
Published 2021-08-01

Editorial

by Angela Vettese
Published 2021-08-01

New Start: the Marrgu Residency Program and the Future of Showing

by Miriam La Rosa
Published 2021-08-01

The Nuovo Forno del Pane, a Possible Model for a Museo Reale

by Lorenzo Balbi
Published 2021-08-01

Fixing a (Legal) Loophole. How a Group of Artists Used the Venice Biennale to Improve the School System During the Balkans War

by Emanuele Rinaldo Meschini
Published 2021-08-01

Institutional Certainty and Curatorial Ambiguity: The Whitney Biennial

by Jens Hoffmann
Published 2021-08-01

Editorial

by Angela Vettese, Clarissa Ricci, Camilla Salvaneschi
Published 2020-09-01

Flipping the Exhibition Inside Out: Enrico Crispolti’s Show Ambiente come Sociale at the 1976 Venice Biennale

by Martina Tanga
Published 2020-09-01

International Exhibitions in Venice

by Maria Mimita Lamberti
Published 2020-09-01

The Magazine la biennale: Articulating a Model for Periodicals Published by Recurring Exhibitions

by Camilla Salvaneschi
Published 2020-09-01

Event Structures and Biennial Culture: Oreste at the Biennale

by Caroline A. Jones
Published 2020-09-01

How La Biennale as a Brand was Born. Venice as the Archetype of a Biennial City

by Vittoria Martini
Published 2020-09-01

Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition

by Clarissa Ricci
Published 2020-09-01

Why OBOE? The Gerundive Nature of Artworks

by Angela Vettese
Published 2021-06-01