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1by Marcos Branda Lacerda“... recursos rítmicos característicos dos repertórios de origem. São empregados para isso os conceitos de cross...”
Published 2005-12-01
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2“... and clever usage of cross rhythm, this piece ends up with rich harmonies, intense accent contrast, intricate...”
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3“... the following features and techniques such as the repeating figure, use of cross rhythm, and the sudden change...”
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4“..., hemiola, cross-rhythm, etc., so that vocal and piano have an important position in the work. His...”
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5“..., Impressionist music, and jazz music. It was using classical counterpoint with Cross rhythm, the percussion music...”
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6“... the original rhythm. “Ripples By Ripples” and “Exquisitely Carved” further diversify the rhythms with cross...”
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7“... of rhythm such as Polyrhythm and Cross-rhythm. Via the research of Faure’s life history and background...”
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8by Yu-Ling Yeh, 葉俞伶“... characteristic by using hemiola and cross rhythm which broke the regulation of strong and weak beats...”
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9by Petersen, Alvin Benito“... in both parts, for example, 'cross-rhythm', is not necessarily the terminology used by the Africans...”
Published 2021
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10“..., such as syncopation, cross-rhythm, and stressed weak beat to produce irregular rhythms, is fully demonstrated...”
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11by Luigi Antonio Irlandini“... designed to generating ametric textures, complex polyrhythm and cross rhythms, and certain desired types...”
Published 2017-04-01
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12by Blackford, Richard“.... The works explore the handling of musical time in a variety of different contexts. Cross-rhythms, polyrhythm...”
Published 2019
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13“... and cross-rhythms. In terms of harmony, Gabriel Fauré always blending of two areas, the modal and the tonal...”
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14by Fresolone, Christopher“... meters and cross rhythms. Appendix A includes a compilation of information about each piece within...”
Published 2012
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16by Walters, Norene Ann“...-painting, cross-rhythms, metric shifts, harmonic shifts, tone clusters, driving repetitive rhythms...”
Published 2008
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17by Barancoski, Ingrid, 1962-“... with rhythmic ostinatos, syncopations, cross-rhythms, and irregular displaced accents inserted in a regular...”
Published 1997
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