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  1. 1
    THE SOUND AND THE FURY: TIME FRAGMENTATION
    by Leila Tahmasebi
    Published 2020-07-01
    “...This study is about individual and time in The Sound and the Fury. To what extend time rules...”
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  2. 2
    Adaptation as Reader-Response to The Sound and the Fury
    by Linn, Rachel E.
    Published 2008
    Subjects: “...The Sound and the Fury...”
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  3. 3
    The unspoken heroine in William Faulkner's the sound and the fury
    by Whitfield, Charlene
    Published 1977
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  4. 4
    Experientiality and Sensorial Gesamtkunstwerk in William Faulkner’s The Sound and the Fury
    by Erlandsson, Niklas
    Published 2020
    “...This thesis examines the semiotic experiences in William Faulkner’s The Sound and the Fury from a...”
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  5. 5
    From Romance to Reality: Faulkner's "Mayday" and "The Sound and the Fury"
    by Kelly, John Patrick
    Published 1988
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  6. 6
    Popular Culture, Thomas Beer, and the Making of "The Sound and the Fury"
    by Define, Lynn Dorsey
    Published 1994
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  7. 7
    The sound and the fury--bees hiss when expecting danger.
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  8. 8
    William Faulkner's The Sound and the Fury: the status of the popular in modernism
    by García Mainar, Luis Miguel
    Published 1999-11-01
    “... the ways in which Faulkner's The Sound and the Fury negotiates the presence of those social changes....”
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  9. 9
    “An Indescribable Sound” in William Faulkner’s <em>The Sound and the Fury</em>
    by Ramsey, Lynn
    Published 2010
    “...The Sound and the Fury is a noisy book. Through the audible, the barely audible, and the silence...”
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  10. 10
    COMPREHENDING THE MODERN PSYCHOLOGICAL NOVEL ‘THE SOUND AND THE FURY ’ BY WILLIAM FAULKNER
    by Yunita Widiyantari, Cucut Annaningtyas
    Published 2015-07-01
    “... sering dikategorikan sebagai novel modern psikologis, yaitu “The Sound and the Fury” karya William...”
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  11. 11
    Southerners in the North. Destabilized Identities in William Faulkner's The Sound and the Fury
    by Aurélie Guillain
    Published 2012-04-01
    Subjects: “...The Sound and the Fury...”
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  12. 12
    Endure and Prevail: The Power Relation and the Technology of the Self in The Sound and the Fury
    by Yen-han Lin, 林彥含
    Published 2009
    “.... The first chapter is a general introduction of the previous studies of The Sound and the Fury...”
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  13. 13
    Benjy’s Howl: From Symptom to Sinthome in William Faulkner’s The Sound and the Fury
    by Maurice EBILEENI
    Published 2014-12-01
    “... in the “stream-of-consciousness” narrative mode, The Sound and the Fury’s “parallactic” narrative structure...”
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  14. 14
    The Compson Brothers as Poor Players: A Sartrean Approach to The Sound and the Fury
    by 黃齡萱
    Published 2001
    “... for the philosophical and psychological questions concerning “reducto absurdum” in The Sound and the Fury through Sartre...”
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  15. 15
    Time-perception in Light In August, the Sound and the Fury and As I Lay Dying
    by Clarke, Margaret
    Published 2010
    “...'s major novels, Light In August, The Sound and the Fury and As I Lay Dying. === Arts, Faculty...”
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  16. 16
    Fourteen ways of looking at a blackbird : point of view in The Sound and the Fury
    by Layman, Lewis Magnus
    Published 2011
    “...This thesis is an intensive analysis of The Sound and the Fury, focussing on Faulkner's treatment...”
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  17. 17
    The significance of intruder in the dust in relation to Sartoris, The Sound and the Fury, and Absalom Absalom
    by Minner, Boyd
    Published 1973
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  18. 18
    The Sound [sans] the Fury”: The efficacy of SoundCloud Audio feedback in the writing classroom
    by Megan McKittrick, Catrina Mitchum, Sarah Spangler
    Published 2014-11-01
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  19. 19
    DECEIT, DESIRE AND THE COMPSONS : A Girardian Reading or William Faulkner’s «The Sound and The Fury»
    by Belajouza, Ramla
    Published 2012
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  20. 20
    Organized Chaos: Cohesive Devices in Benjy’s Sections of William Faulkner’s The Sound and the Fury
    by Farkas Aliz
    Published 2016-12-01
    “...As the history of criticism on The Sound and the Fury proves it, Benjy’s section is probably...”
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