Showing 1 - 20 results of 20 for search '"Rosencrantz and Guildenstern Are Dead"', query time: 2.39s Refine Results
  1. 1
    Rosencrantz and Guildenstern Are Dead
    by Wu Shih-Wei, 吳世偉
    Published 1997
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  2. 2
    Spatial Politics in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead
    by Elham Kazemi, Mohsen Hanif
    Published 2017-01-01
    Subjects: “...rosencrantz and guildenstern are dead...”
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    Article
  3. 3
    TOM STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD:A SARTREAN READING
    by Lin Pei-jung, 林佩蓉
    Published 2007
    “... the meaning of human existence, while Tom Stoppard’s Rosencrantz and Guildenstern Are Dead addresses...”
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  4. 4
    Tom Stoppard’s Doubleness: Rosencrantz and Guildenstern Are Dead, Hapgood, and The Invention of Love
    by Fei-Pi Liao, 廖非比
    Published 2006
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  5. 5
    Shakespearean parallels and affinities with the Theatre of the absurd in Tom Stoppard's Rosencrantz and Guildenstern are dead
    by Easterling, Anja
    Published 1982
    Subjects: “...Rosencrantz and Guildenstern Are Dead...”
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    Doctoral Thesis
  6. 6
    The Postmodernist Strategies in Tom Stoppard''s Rosencrantz and Guildenstern are Dead, Jumpers, and The Real Thing
    by Po-chen Lin, 林柏辰
    Published 2004
    “... and Guildenstern Are Dead. The intertextuality of this play is obvious. Stoppard puts two minor characters from...”
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  7. 7
    Intertextuality, Parody and Meta-art in Tom Stoppard's Rosencrantz and Guildenstern Are Dead and Travesties
    by Chih-chung Lin, 林志忠
    Published 1999
    “... for Godot and Rosencrantz and Guildenstern Are Dead. In his misreading of the giant precursor, Stoppard re...”
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  8. 8
    Misreading Tom Stoppard: Alienation Effect and Intertextuality in His Rosencrantz and Guildenstern Are Dead and Dogg's Hamlet, Cahoot's Macbeth
    by An-ni Teng, 鄧安妮
    Published 2005
    “... effect and intertextuality in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead and Dogg’s Hamlet...”
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  9. 9
    Tom Stoppard: Humanizing Chaos
    by Pritzker, Elaine C.
    Published 2011
    “... and quantum science in ROSENCRANTZ AND GUILDENSTERN ARE DEAD, HAPGOOD and ARCADIA; and determine the extent...”
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  10. 10
    CONCLUDING THE YEAR OF SHAKESPEARE: «SHAKESPEARE’S» SCREENPLAYS BY TOM STOPPARD
    by Elena Georgievna Dotsenko
    Published 2016-03-01
    “... with Shakespeare in cinematography, though Rosencrantz and Guildenstern are Dead can be regarded as twice...”
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    Article
  11. 11
    Shakespeare and Stoppard: Chess and Diabolo
    by B. Claassen
    Published 1982-05-01
    “... Rosencrantz and Guildenstern Are Dead and dogg's Hamlet are representative of contemporary drama....”
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  12. 12
    Réécriture des pièces de Shakespeare : l’enjeu de la modernité ?
    by Estelle Rivier
    Published 2008-03-01
    “...: The Merchant of Venice (The Merchant, 1977), King Lear (Lear, 1972) and Hamlet (Rosencrantz and Guildenstern...”
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    Article
  13. 13
    Shakespeare znovuobjevený: přepisy Shakespearových her v současném britském divadle
    by Rezková, Iva
    Published 2007
    “...'s tragedies - Tom Stoppard's Rosencrantz and Guildenstern Are Dead, Edward Bond's Lear, and Sarah Kane...”
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    Dissertation
  14. 14
    Hamlet Revisited: Adaptations of Shakespeare in Recent Russian Drama
    by Vera Shamina, Olga Nesmelova, Elena Shevchenko
    Published 2019-03-01
    “... Stoppard. In Rosencrantz and Guildenstern are Dead the playwright laid the basic principles of the approach...”
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    Article
  15. 15
    Tom Stoppard's Quantum Plays: A Study of the Influence of Modern Physics
    by Huang, Hsiu-ho, 黃秀盒
    Published 1993
    “... world in "Rosencrantz and Guildenstern Are Dead" (1967). Ontological probability governs...”
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  16. 16
    AN ANALYSIS OF TOM STOPPARD'S PLAYS AND THEIR PRODUCTIONS (1964-1975)
    “..., Rosencrantz and Guildenstern are Dead, Jumpers and Travesties, are given extensive critical analysis...”
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  17. 17
    REAL OR UNREAL? : A BAKHTINIAN INTERPRETATION OF MUTABILITY IN TOM STOPPARD’S PLAYS
    by Wen-hsiang Su, 蘇文祥
    Published 2011
    “..., carnivalesque, heteroglossia and chronotope in three of Tom Stoppard’s plays, Rosencrantz and Guildenstern...”
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  18. 18
    REAL OR UNREAL? : A BAKHTINIAN INTERPRETATION OF MUTABILITY IN TOM STOPPARD’S PLAYS
    by Wen-hsiang Su, 蘇文祥
    Published 2011
    “..., carnivalesque, heteroglossia and chronotope in three of Tom Stoppard’s plays, Rosencrantz and Guildenstern...”
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  19. 19
    Hypertextuality and polyphony in Tom Stoppard's stage plays
    by Park-Finch, Heebon
    Published 2012
    “... Rosencrantz and Guildenstern Are Dead (1967) as a transfocalization of Shakespeare's Hamlet, demonstrating...”
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  20. 20
    Tom Stoppard: a playwright on the fence
    by Ramsey, Julianne Elizabeth
    Published 2010
    “... and cleverness. By dissecting the plays Rosencrantz and Guildenstern are Dead, Travesties, The Invention of Love...”
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