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  1. 161
    Part I: A Nighttime Trilogy for Saxophone and Piano Part II: A Schenkerian Analysis of Suite No. 1 for Unaccompanied Cello by J. S. Bach
    by Howard, Jason Tad
    Published 2010
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  2. 162
    The Aesthetic Relevance of the Golden Section in <i>The Well-Tempered Clavier</i> by J.S. Bach: The Relationship Between Form, Temporal Flow, and Proportional Balance
    by Cruz, Jennifer
    Published 2007
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  3. 163
    Reflexiones en torno a la semanticidad musical
    by Idoia Solores
    Published 2020-12-01
    Subjects: “...J.S.Bach...”
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    Article
  4. 164
    Ambiguidade métrica no Presto da Sonata para violino solo BWV 1001 de J. S. Bach: apontamentos para uma performance historicamente informada
    by Luiz Henrique Fiaminghi, Ricardo Müller
    Published 2017-08-01
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    Article
  5. 165
    The application of musico-rhetorical theory to stretto, double, and triple fugue| Analyses of "Contrapuncti V--XI" from J. S. Bach's "The Art of the Fugue", BWV 1080
    by Marney, Dylan
    Published 2013
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  6. 166
    The Application of Musico-Rhetorical Theory to Stretto, Double, and Triple Fugue: Analyses of Contrapuncti V-XI from J.S. Bach's The Art of the Fugue, BWV 1080
    by Marney, Dylan
    Published 2013
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  7. 167
    Complexidade e simplicidade: paradoxo na estrutura composicional do Prelúdio da Suíte Nº. 5 para Violoncelo Solo de J.S. Bach
    by Campos, Luz Yanaina álvarez
    Published 2015
    “... for interpretation of the work. Thus, we have taken the book Dance and the Music of J.S. Bach, written by Little...”
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  8. 168
    Interconnectedness of the Philosophical and Aesthetical Views and Principles of Polyphonic Thinking in the Time of Baroque
    by Olena Kuzmuk
    Published 2019-10-01
    Subjects: “...polyphony, combinatorics in music, j. s. bach, g. w. leibniz, baroque, ars combinatoria....”
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    Article
  9. 169
    Three Recitals of Music by German and Danish Composers, J.S. Bach, and Contemporary North American Composers, and a Lecture Recital on the Registration of Orchestral Textures in Organ Music
    “... in orchestral style. The second recital consisted completely of music by J. S. Bach. Four works of contrasting...”
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  10. 170
    Comparison between J.S.Bach《Suite for Solo Cello BWV1009》and S.Prokofiev《Cello Sonata Op.119》for the Performing Technique and Interpretation of Baroque and Romantic Music
    by LIAO, WAN-CHUN, 廖婉君
    Published 2018
    “... and performance of the works played in the concert《Suite for Solo Cello No.3 BWV1009》by J.S. Bach, and 《Cello...”
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    Others
  11. 171
    Developing a Four-Mallet Marimba Technique Featuring the Alternation of Mallets in Each Hand for Linear Passages and the Application of this Technique to Transcriptions of Selected Keyboard Works by J.S. Bach
    by Zirkle, Thomas Allen
    Published 2003
    “... within each hand on linear passages, then apply this technique to selected keyboard works of J. S. Bach...”
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  12. 172
    Die interpretasie van J.S. Bach se B mineur-suite, BWV 1067, soos voorgeskryf in die 2001-Unisa-houtblaasleerplanne / Liesl van der Merwe
    by Van der Merwe, Liesl
    Published 2009
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  13. 173
    Die interpretasie van J.S. Bach se B mineur-suite, BWV 1067, soos voorgeskryf in die 2001-Unisa-houtblaasleerplanne / Liesl van der Merwe
    by Van der Merwe, Liesl
    Published 2009
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  14. 174
    J.S.Bach: sonata in b minor; A.Jolivet: Chant de Linos; T.Boehm: Grande Polonaise op.16; O.Messiaen: Le Merle Noir
    by Ya-Ru Yeh, 葉雅如
    Published 2008
    “...碩士 === 東海大學 === 音樂系 === 96 === J.S.Bach: sonata in b minor; A.Jolivet: Chant de Linos; T.Boehm...”
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  15. 175
    Contribuições da retórica musical nos processos de transcrição da suite BWV 1008 de J. S. Bach para o violão de onze cordas /
    by Martelli, Paulo Cesar, 1966-
    Published 2018
    “... a obra de J. S. Bach, a partir dos elementos retórico-musicais, deram subsídios para melhor...”
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    Others
  16. 176
    O processo de digitação para violão da <i>Ciaccona</i> BWV 1004 de Johann Sebastian Bach
    by Alisson Alípio, Daniel Wolff
    Published 2010-12-01
    Subjects: “...J. S. Bach...”
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    Article
  17. 177
    A Study of Johannes Brahms’ Piano Transcription “Chaconne for Left Hand Alone” from J. S. Bach’s ‘Chaconne in D Minor’ of “Partita No.2 for the Unaccompanied Violin”（BWV 1004）
    by YU, SHIH-JU, 余詩如
    Published 2018
    “... of the “Chaconne for Left Hand Alone” which adapted from J. S. Bach’s‘Chaconne in D Minor’of “Partita No. 2...”
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  18. 178
    Les pianistes et le répertoire du baroque tardif pour clavier : réflexion sur un corpus d’interprétations discographiques (J.S.Bach, Rameau, D.Scarlatti)
    by Sulaiman, Samaa
    Published 2009
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  19. 179
    Inspired by the past : a practical guide for cellist and other string players to the execution of Baroque music on modern instruments with special reference to the Six Suites for Solo Cello by J. S. Bach
    by Martens, Peter
    Published 2014
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    Dissertation
  20. 180
    A Pedagogical and Performance Edition of J. S. Bach's Violin Sonata I in G minor, BWV 1001, Transcribed for Guitar: Transcription, Analysis, Performance Guide, Pedagogical Practice Guide, and Recording.
    Published 2013
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    Doctoral Thesis
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