The latent image
How can we describe a moving image, composed of thousands of successive images, as "an" image? I want to explore the possibility that the coherence of the image is premised on latency. A latent image is one which is captured in photographic film prior to development. It is by nature invisi...
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| Format: | Article |
| Language: | English |
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2011-04.
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| Online Access: | Get fulltext Get fulltext |
| LEADER | 00945 am a22001333u 4500 | ||
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| 001 | 191683 | ||
| 042 | |a dc | ||
| 100 | 1 | 0 | |a Cubitt, S. |e author |
| 245 | 0 | 0 | |a The latent image |
| 260 | |c 2011-04. | ||
| 856 | |z Get fulltext |u https://eprints.soton.ac.uk/191683/1/confirmOrder | ||
| 856 | |z Get fulltext |u https://eprints.soton.ac.uk/191683/2/index_html | ||
| 520 | |a How can we describe a moving image, composed of thousands of successive images, as "an" image? I want to explore the possibility that the coherence of the image is premised on latency. A latent image is one which is captured in photographic film prior to development. It is by nature invisible. Similarly invisible latent states structure lenses, aperture ratios, compositing, grading and edits. Looking at the codec wars currently breaking out in preparation for HTML5, this talk investigates the relationships between the aesthetics and political economy of the image in the 21st century | ||
| 655 | 7 | |a Article | |