The power of the prima donna: Giulia Masotti's repertory of choice
Singers were fundamental agents in the circulation of opera scores, arias, and librettos during the seventeenth century.[1] Crucial connections between the court, the commercial theater, and in some cases the chapel and other religious institutions, they deftly navigated the fluid space between thes...
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Format: | Article |
Language: | English |
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2015.
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Online Access: | Get fulltext Get fulltext |