Deadness: technologies of the intermundane
Posthumous duets-performances involving a dead singer and a living one-have become ubiquitous in popular music. As the case of Natalie and Nat "King" Cole's "Unforgettable" makes clear, all sound recording harnesses the productive capacities of both living and dead, patterne...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
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2010-03-01.
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| Online Access: | Get fulltext |
| LEADER | 00682 am a22001333u 4500 | ||
|---|---|---|---|
| 001 | 151363 | ||
| 042 | |a dc | ||
| 100 | 1 | 0 | |a Piekut, Benjamin |e author |
| 700 | 1 | 0 | |a Stanyek, Jason |e author |
| 245 | 0 | 0 | |a Deadness: technologies of the intermundane |
| 260 | |c 2010-03-01. | ||
| 856 | |z Get fulltext |u https://eprints.soton.ac.uk/151363/1/Deadness.pdf | ||
| 520 | |a Posthumous duets-performances involving a dead singer and a living one-have become ubiquitous in popular music. As the case of Natalie and Nat "King" Cole's "Unforgettable" makes clear, all sound recording harnesses the productive capacities of both living and dead, patterned through specific forms of co-laboring, or "deadness." | ||
| 655 | 7 | |a Article | |