Revisiting "home" in ghanaian poetry: Awoonor, anyidoho and adzei
The idea of “home” is a significant occurrence in postcolonial literature, as it connects to other ideas as identity, nationhood, and culture. This paper discusses “home” in Ghanaian poetry focusing on three well-regarded poets: Kofi Awoonor, Kofi Anyidoho, and Mawuli Adzei. These poets come from th...
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Format: | Article |
Language: | English |
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Purdue University Press
2019
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Online Access: | View Fulltext in Publisher |
LEADER | 01429nam a2200133Ia 4500 | ||
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001 | 10.7771-1481-4374.3007 | ||
008 | 220511s2019 CNT 000 0 und d | ||
020 | |a 14814374 (ISSN) | ||
245 | 1 | 0 | |a Revisiting "home" in ghanaian poetry: Awoonor, anyidoho and adzei |
260 | 0 | |b Purdue University Press |c 2019 | |
856 | |z View Fulltext in Publisher |u https://doi.org/10.7771/1481-4374.3007 | ||
520 | 3 | |a The idea of “home” is a significant occurrence in postcolonial literature, as it connects to other ideas as identity, nationhood, and culture. This paper discusses “home” in Ghanaian poetry focusing on three well-regarded poets: Kofi Awoonor, Kofi Anyidoho, and Mawuli Adzei. These poets come from the Ewe ethnic group, and engage with the Pan-African project in both their scholarly and creative expressions. Drawing on John Berger, Sara Dessen, and Ewe thought on the afterlife, this paper suggests two major types of “home” in the works of these three poets: the physical, and the metaphysical. Physical “home” refer to the Wheta traditional area, Ghana, Africa and her Diaspora, while the metaphysical refers to tsieʄe or aʋlime-the afterlife. The paper also discusses why “home” is significant to these poets and how their portrayal of ‘home’ is a starting point for the next generation of Ghanaian poets. © Purdue University. | |
700 | 1 | |a Agbozo, G.E. |e author | |
773 | |t CLCWeb - Comparative Literature and Culture |