“I Can See Myself in Them, but They Are Not Me”: Asian Boys’ Love (BL) Drama and Gay Male Viewers

Recent years have witnessed significant growth in research on the phenomenon of Asian Boys’ Love (BL) dramas, a new entertainment genre that features male characters who engage in same-sex love relations. However, much of this research has focused on, among others, heterosexual female viewers in ter...

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Bibliographic Details
Main Authors: Ahmad Hadzmy, A.J.B (Author), Hie, T.S (Author), Jerome, C. (Author)
Format: Article
Language:English
Published: MDPI 2022
Subjects:
gay
Online Access:View Fulltext in Publisher
LEADER 02140nam a2200217Ia 4500
001 10.3390-socsci11040163
008 220510s2022 CNT 000 0 und d
020 |a 20760760 (ISSN) 
245 1 0 |a “I Can See Myself in Them, but They Are Not Me”: Asian Boys’ Love (BL) Drama and Gay Male Viewers 
260 0 |b MDPI  |c 2022 
856 |z View Fulltext in Publisher  |u https://doi.org/10.3390/socsci11040163 
520 3 |a Recent years have witnessed significant growth in research on the phenomenon of Asian Boys’ Love (BL) dramas, a new entertainment genre that features male characters who engage in same-sex love relations. However, much of this research has focused on, among others, heterosexual female viewers in terms of their knowledge of BL and their consumption patterns and motives. The present study aims at addressing this knowledge gap by gathering the views of gay male viewers regarding the BL that holds a place in their lives. In-depth interviews were conducted with six gay-identified participants living in Malaysia, with the study informed and guided by the framework of audience uses and appropriations of BL, and with the data collected and analyzed following the interpretative phenomenological approach (IPA) procedures. The findings revealed, on the one hand, polarized consumption patterns and, on the other hand, homogeneous motives, and reasons for consuming BL, including pure escapism, self-identification, and pure entertainment. The findings also revealed the participants’ views on whether the BL drama represented their identity and the real-life struggles of being a gay man in a country where homosexuality is still condemned and made illegal. These findings have implications that are relevant to the discussion of the role of the homoerotic media as a source of identity and livelihood among gay men. © 2022 by the authors. Licensee MDPI, Basel, Switzerland. 
650 0 4 |a audience 
650 0 4 |a boys’ love 
650 0 4 |a drama 
650 0 4 |a gay 
650 0 4 |a Malaysia 
700 1 |a Ahmad Hadzmy, A.J.B.  |e author 
700 1 |a Hie, T.S.  |e author 
700 1 |a Jerome, C.  |e author 
773 |t Social Sciences