The Preparatory Layers in the Etruscan Paintings of the Tomba dei Demoni Alati in the Sovana Necropolis (Southern Tuscany, Italy)

The Tomba dei Demoni Alati is located in the Etruscan necropolis of Sovana (Grosseto, Southern Tuscany, Italy). At the end of the 1990s, excavation revealed remains of this aedicule tomb, carved into red tuff; in 2004, further excavation highlighted new important figurative elements. The Etruscans u...

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Bibliographic Details
Main Authors: Calandra, S. (Author), Giachi, G. (Author), Pallecchi, P. (Author), Pecchioni, E. (Author), Santo, A.P (Author)
Format: Article
Language:English
Published: MDPI 2022
Subjects:
Online Access:View Fulltext in Publisher
LEADER 02368nam a2200229Ia 4500
001 10.3390-app12073542
008 220425s2022 CNT 000 0 und d
020 |a 20763417 (ISSN) 
245 1 0 |a The Preparatory Layers in the Etruscan Paintings of the Tomba dei Demoni Alati in the Sovana Necropolis (Southern Tuscany, Italy) 
260 0 |b MDPI  |c 2022 
856 |z View Fulltext in Publisher  |u https://doi.org/10.3390/app12073542 
520 3 |a The Tomba dei Demoni Alati is located in the Etruscan necropolis of Sovana (Grosseto, Southern Tuscany, Italy). At the end of the 1990s, excavation revealed remains of this aedicule tomb, carved into red tuff; in 2004, further excavation highlighted new important figurative elements. The Etruscans used different methods to decorate the rock surfaces of the tomb, which were particularly difficult to paint. For this reason, the porous and irregular surface of the tuff was modelled and coated with specific materials. The aim of this work was to study the materials and manufacturing techniques of the preparatory layers applied onto the rock surface in the Tomba dei Demoni Alati. Minero-petrographic, chemical, and micro-chemical characterization of the layers was carried out. The obtained results suggest that different methods were used to prepare the tomb surfaces to be painted. In particular, in the niche of the tomb, two preparatory layers were found: a Ca-based plaster covers the rock; above it, a thin white Ca lime layer was applied. In the sculptures inside the niche, the colors were applied onto two finishing white Ca lime layers of similar composition, whereas, in the decorations of the sculptured surfaces on the outside, paint layers were laid onto a thin white silica stratum. The data allow us to determine the use of plaster, for the first time, in Tuscany, as well as the discovery of a preparation layer never before found in any other local archaeological context. © 2022 by the authors. Licensee MDPI, Basel, Switzerland. 
650 0 4 |a Etruscan paintings 
650 0 4 |a minero-petrographic and chemical characterization 
650 0 4 |a plaster layers 
650 0 4 |a Tomba dei Demoni Alati 
700 1 |a Calandra, S.  |e author 
700 1 |a Giachi, G.  |e author 
700 1 |a Pallecchi, P.  |e author 
700 1 |a Pecchioni, E.  |e author 
700 1 |a Santo, A.P.  |e author 
773 |t Applied Sciences (Switzerland)