Do you hear what I hear? Perceived narrative constitutes a semantic dimension for music
Music has attracted longstanding debate surrounding its capacity to communicate without words, but little empirical work has addressed the topic. Here, 534 participants in the US and a remote region of China participated in two experiments using a novel paradigm to investigate narrative perceptions...
Main Authors: | Mamidipaka, A. (Author), Margulis, E.H (Author), McAuley, J.D (Author), Phillips, N. (Author), Wong, P.C.M (Author) |
---|---|
Format: | Article |
Language: | English |
Published: |
Elsevier B.V.
2021
|
Subjects: | |
Online Access: | View Fulltext in Publisher |
Similar Items
-
Efficacy of Music Training in Hearing Aid and Cochlear Implant Users: A Systematic Review and Meta-Analysis
by: Nor Farawaheeda Ab Shukor, et al.
Published: (2021-02-01) -
Avaliação dos aspectos temporais em cantores populares
by: Ana Cláudia Mondini Ribeiro, et al. -
Tracking Musical Voices in Bach's The Art of the Fugue: Timbral Heterogeneity Differentially Affects Younger Normal-Hearing Listeners and Older Hearing-Aid Users
by: Kai Siedenburg, et al.
Published: (2021-04-01) -
Temporal sequencing abilities in musicians violinists and non-musicians
by: Nascimento, Franklin Martins, et al.
Published: (2010-06-01) -
Participation of Acoustic and Electric Hearing in Perceiving Musical Sounds
by: Sonia Duret, et al.
Published: (2021-05-01)