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LEADER |
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41777 |
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20200923 |
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|h English
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|a dc
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|a Syler, Claire
|e edt
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|z Get fulltext
|u https://library.oapen.org/handle/20.500.12657/41777
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|a Banks, Daniel
|e edt
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|a Syler, Claire
|e oth
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|a Banks, Daniel
|e oth
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|a Casting a Movement : The Welcome Table Initiative
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|b Taylor & Francis
|c 2019
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|a Open Access
|2 star
|f Unrestricted online access
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|a "Casting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a ""welcome table""-a space where artists of all backgrounds can come together as equals to create theatre-the book's contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, Disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor's embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation."
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|a All rights reserved
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|a English
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|a Theatre studies
|2 bicssc
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|a Theatre direction & production
|2 bicssc
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|a Audition, Blackface, Colourblind, Diversity, Ensemble, Ethical, Race, Redface, Representation, Whiteface, culturally conscious casting, social movement, welcome table
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