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| LEADER |
01816naaaa2200265uu 4500 |
| 001 |
39858 |
| 005 |
20200623 |
| 020 |
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|a 9781469658575_Vitt-Maucher
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| 024 |
7 |
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|a 10.5149/9781469658575_Vitt-Maucher
|c doi
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| 041 |
0 |
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|h German
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| 042 |
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|a dc
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| 100 |
1 |
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|a Vitt-Maucher, Gisela
|e auth
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| 245 |
1 |
0 |
|a E. T. A. Hoffmanns Märchenschaffen : Kaleidoskop der Verfremdung in seinen sieben Märchen
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| 260 |
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|a Chapel Hill
|b University of North Carolina Press
|c 1989
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| 300 |
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|a 1 electronic resource (248 p.)
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| 856 |
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|z Get fulltext
|u https://library.oapen.org/handle/20.500.12657/39858
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| 506 |
0 |
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|a Open Access
|2 star
|f Unrestricted online access
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| 520 |
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|a This book provides a critical study of all seven of Hoffmann's "Kunstmärchen". Vitt-Maucher's detailed individual analyses focus on Hoffmann's use of structural, stylistic, and linguistic devices to create poetic deviations from the norms of reality. These deviations are diverse: distortions of language and time; altered dimensions of reality, persons, and objects; transformations and reversals of 'normal' conditions or conventions. They underlie Hoffmann's often humorous or grotesque world of fairy tale 'magic' and convey to the reader the poet's intent. In the course of his fairy tale production (1814-1821), Hoffmann's use of language, imagery, and structure becomes increasingly distorted and alienated from everyday reality. Similarly, his employment of humor develops from early sociocritical, ironic, and parodistic intent to more autonomous and clearly less referential forms of 'absolute humor.'
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| 536 |
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|a National Endowment for the Humanities
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| 536 |
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|a Andrew W. Mellon Foundation
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| 540 |
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|a Creative Commons
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| 546 |
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|a German
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| 650 |
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7 |
|a Myth & legend told as fiction
|2 bicssc
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| 653 |
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|a German Studies
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| 653 |
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|a Literature
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